banksy interview guardian


But he seems too passionate about his work not to be. I haven't done any of those jobs. I wouldn't sell shit to Charles Saatchi.

I'm using the word vandalism a lot with the show. "The police seemed to feel very relaxed, and they were driving Land Rovers. But he sent it out to the women, and they put it on each other, they did their hair; and because it gave them the will to live it was probably the best thing the soldiers did when they liberated that camp." Graffiti, he says, made him feel better about himself, gave him a voice. In a 2003 interview with Simon Hattenstone of The Guardian, Banksy is described as "white, 28, scruffy casual—jeans, T-shirt, a silver tooth, silver chain and silver earring.He looks like a cross between Jimmy Nail and Mike Skinner of the Streets".

"Yeah, I've turned down four Nike jobs now. Banksy's name and identity remain unconfirmed and the subject of speculation. So I did the job, and basically I spunked all the money on the new thing that I'm doing - BOGOF sculpture. He said the video interview showed an artist claiming to be Banksy making art at an official Banksy exhibition.Meanwhile, Gordon, who has since retired, spoke about the man in the interview that was conducted more than 15 years ago: “He was relaxed, he was laid-back, he was amiable.

He shakes his head.
Was it a tough decision to exhibit in a gallery? But he seems to quite like the idea. He tells me how he noticed that a piece of his graffiti has been papered over by a poster advertising Michael Moore's Stupid White Men - a bestselling book about how to subvert the system. He signs his pieces in a chunky, swirling typeface.

The message is usually anti-war, anti-capitalist or anti-establishment. "See, that's talking about how the application of paint can make a difference." Identity of Banksy 'accidentally revealed' by Goldie in podcast interview Banksy: 8 signs Massive Attack's Robert Del Naja is mystery artist The clues have been there all along © 2020 NME is a member of the media division of

"No," he says tenderly. The ambiguity of his identity has drawn this group of followers.

Two minutes later they arrive in the pub.

Banksy has branched out recently - he designed the cover of the Blur album, Think Tank, and tomorrow is the opening night of Turf War, his first gallery show in Britain.
"No," he says. A concept, the "Banksy effect" has developed as a result of Banksy's artistic innovation. But he said the clip showed an artist purporting to be Banksy creating art at an official Banksy exhibition.Gordon recalled: “He was relaxed, he was laid-back, he was amiable. No, I'd never knowingly sell anything to him." But when you see entire suburban neighbourhoods reduced to rubble with no hope of a future—what you're really looking at is a vast outdoor recruitment centre for terrorists. But they all know him. He nods, approvingly. School never made sense to him - he had problems, was expelled, did some time in prison for petty crime, but he doesn't want to go into details.

Why did he turn it down? I want to avoid that shit if at all possible." "The thing is, I was a bootlegger for three years so I don't really have a leg to stand on." Banksy started doing graffiti when he was a miserable 14-year-old schoolboy. But it's a dive hotel - $68 a night. I was dreading a pretentious arty-farty type, but he was very pleasant.” Gordon said he could not say for sure if it was the real Banksy. Since spotting my first few Banksies, I have been desperately seeking out more. His black and white stencils are beautiful, witty and gently subversive: policemen with smiley faces, rats with drills, monkeys with weapons of mass destruction (or, when the mood takes him, mass disruption) little girls cuddling up to missiles, police officers walking great flossy poodles, Samuel Jackson and John Travolta in Pulp Fiction firing bananas instead of guns, a beefeater daubing "Anarchy" on the walls.

“I’m disguised because you can’t really be a graffiti writer and then go public,” he tells Gordon, who has since retired. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. I said, 'Well, you're 11, make 'em yourself.'

Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in the stencils, though it is assumed he uses computers for some images due to the photographic quality of much of his work. Many artworks by Banksy have been vandalised, painted over or destroyed. "If you have a statue in the city centre you could go past it every day on your way to school and never even notice it, right, but as soon as someone puts a traffic cone on its head, and you've made your own sculpture and it's taken seconds.

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banksy interview guardian

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