As always, she maps out new territory, charting the landscapes of our lives amid the beauties and cruelties of a difficult world. meretricious, the propagandistic" (18). Like Atlas, who bears Earth on his shoulders, Rich bears--and wields--an enormous political consciousness.
The image of her father, a Jew whose motto was “Without labor, no sweetness,” illustrates the continuity of existence that the poet conveys in every section of the poem; it also allows Rich to comment that she now knows that “not all labor ends in sweetness.” Next, in section IV, she mentions the girasole plant (a type of sunflower), which “laces the roadsides from Vermont to California,” the implied cross-country trip providing a desperate view of a countryside in decay, in need of repair.
“An Atlas of the Difficult World” is a long poem divided into thirteen sections or short poems that relate experiences and observations. 4 (Winter, 2001), pp.
You have javascript disabled. Citing the Mohave Desert and the Grand Canyon, the poems describe human loneliness as immense and infertile. publisher has elected to have a "zero" moving wall, so their current Analogous to these natural holocausts is war.
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Rich meditates on what it means to love one’s country, to be a citizen, to be a patriot....You'll also get access to more than 30,000 additional guides and 300,000 Homework Help questions answered by our experts. These poems find her struggling to say what is honest and true, resisting easy answers, having the ambition to risk everything; these are the energies for which …
In rare instances, a To access this article, please As denoted by the term “atlas,” the series of poems describes a collection of American scenes that are bound together.
In section X she includes excerpts from a book entitled In section XI the people of Monterey have gone through several natural disasters, including earthquakes and a devastating drought. Sections IX and X depict scenes of loneliness and isolation. “An Atlas of the Difficult World” is a long poem divided into thirteen sections or short poems that relate experiences and observations. Although in the poem the persona, or poetic voice, is often an assumed identity, available in JSTOR and the most recently published issue of a journal.
Moving walls are generally represented in years. In California (section V) she takes the reader to San Francisco and its contrasting images of splendor and human waste—from views of the Palace of Fine Arts to San Quentin, Alcatraz, and “places where life is cheap poor quick unmonumented.” From the start she is the reader’s tour guide, deciding the itinerary and providing the background needed to appreciate the scenes. The "moving wall" represents the time period between the last issue From an Atlas of the Difficult World.
This website uses cookies to ensure you get the best experience. 42, No. In section VI, set in nineteenth century Ireland and America, poetry becomes the necessary tool for expressing the nature of the human condition: “poetry of cursing and silence,” “of I.R.A.-talk, kitchen-talk, dream-talk.” Section VII, “(The Dream-Site),” is about New York City, where Rich once lived, and it conveys a sense of why she had to leave the East.
The sections are of varying length and are identified only by roman numerals, except for the seventh and the final ones, parenthetically titled “(The Dream-Site)” and “(Dedications),” respectively. In section III Rich relates experiences and memories in the East as she sits “at this table in Vermont.” She describes past summers with her husband and children, which then connect with her own childhood.
I know you are reading this poem late, before leaving your office of the one intense yellow lamp-spot and the darkening window in the lassitude of a building faded to quiet long after rush-hour. Starting in California’s Salinas Valley, “THE SALAD BOWL OF THE WORLD,” Rich characterizes the place not only by location but also by the people who live and work in the “agribusiness empires.” In the second section Rich addresses the central focus of the poem, looking at “our country” as a whole and alluding to social and economic conditions in the United States.
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