Dunham married Jordis McCoo, a black postal worker, in 1931, but he did not share her interests and they gradually drifted apart, finally divorcing in 1938. "Over the years Katherine Dunham has received scores of special awards, including more than a dozen honorary doctorates from various American universities.
Katherine Dunham and Orson Welles had an encounter in 1953. As Julia Foulkes pointed out, "Dunham's path to success lay in making high art in the United States from African and Caribbean sources, capitalizing on a heritage of dance within the African Diaspora, and raising perceptions of African American capabilities. Katherine Dunham.
She was hailed for her smooth and fluent choreography and dominated a stage with what has been described as 'an unmitigating radiant force providing beauty with a feminine touch full of variety and nuance." Katherine Mary Dunham (also known as Kaye Dunn, June 22, 1909 – May 21, 2006) was an African-American dancer, choreographer, author, educator, anthropologist, and social activist. Her father, Albert Millard Dunham, is black; her mother, Fanny June Dunham, is a woman of French-Canadian and American Indian heritage. Rest in peace. Jump to: Overview (2) | Mini Bio (1) | Spouse (2) | Trivia (7) Overview (2) Born: June 22, 1909 in Glen Ellyn, Illinois, USA: Died: May 21, 2006 in New York City, New York, USA (natural causes) Mini Bio (1) Dancer, choreographer, composer and songwriter, educated at the University of Chicago. During these years, the Dunham company appeared in some 33 countries in Europe, North Africa, South America, Australia, and East Asia. Pratt, who was white, shared Dunham's interests in African-Caribbean cultures and was happy to put his talents in her service. American Dancer Katherine Dunham was born Katherine Mary Dunham on 22nd June, 1910 in Glen Ellyn, Illinois, United States and passed away on 21st May 2006 Manhattan, New York, United States aged 95. "Dunham's European success led to considerable imitation of her work in European revues ... it is safe to say that the perspectives of concert-theatrical dance in Europe were profoundly affected by the performances of the Dunham troupe." In 1967 she officially retired, after presenting a final show at the famous In 1978 Dunham was featured in the In 1945, Dunham opened and directed the The program included courses in dance, drama, performing arts, applied skills, humanities, cultural studies, and Caribbean research. Help us build our profile of Katherine Dunham! Biography. Katherine Dunham and Jordis McCoo are divorced after a marriage of 7 years. Richard Buckle, ballet historian and critic, wrote: "Her company of magnificent dancers and musicians ... met with the success it has and that herself as explorer, thinker, inventor, organizer, and dancer should have reached a place in the estimation of the world, has done more than a million pamphlets could for the service of her people."
Dunham had been invited to stage a new number for the popular, long-running musical revue Based on this success, the entire company was engaged for the 1940 Broadway production The company returned to New York. In the summer of 1941, after the national tour of When she was not performing, Dunham and Pratt often visited Haiti for extended stays. Katherine Dunham had encounters with Orson Welles (1953) and Alvin Ailey.. About. "What Dunham gave modern dance was a coherent lexicon of African and Caribbean styles of movement—a flexible torso and spine, articulated pelvis and isolation of the limbs, a polyrhythmic strategy of moving—which she integrated with techniques of ballet and modern dance." Dunham used Habitation Leclerc as a private retreat for many years, frequently bringing members of her dance company to recuperate from the stress of touring and to work on developing new dance productions.
In August she was awarded a bachelor's degree, a Ph.B., bachelor of philosophy, with her principal area of study named as In 1928, while still an undergraduate, Dunham began to study ballet with Ludmilla Speranzeva, a Russian dancer who had settled in Chicago, after having come to the United States with the Franco-Russian vaudeville troupe In 1931, at the age of 21, Dunham formed a group called In 1934–1936, Dunham performed as a guest artist with the ballet company of the Chicago Opera.
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