L’avez-vous déjà chanté ? Om est aussi appelé Pranava, ce qui signifie être en contrôle de sa force vitale.La différence dans l’orthographe du mot Om, Ohm ou Aum, vient simplement de sa traduction de la version sanskrite : Aum. Pour explorer les bienfaits de la méditation, OM est un bon point de départ car il est court, facile à retenir et vous permet de vous concentrer. Om symbol has many interpretations. For other uses, see Sacred sound and spiritual symbol in Hinduism, Jainism and Buddhismओम एकाक्षर पञ्चपरमेष्ठिनामादिपम् तत्कथमिति चेत "अरिहंता असरीरा आयरिया तह उवज्झाया मुणियां"Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, Diana Eck (2013), India: A Sacred Geography, Random House, R Mehta (2007), The Call of the Upanishads, Motilal Barnarsidass, CK Chapple, W Sargeant (2009), The Bhagavad Gita: Twenty-fifth–Anniversary Edition, State University of New York Press, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, John Grimes (1995), Ganapati: The Song of Self, State University of New York Press, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, HK Deb, Journal of the Royal Asiatic Society of Bengal, Volume XVII, Number 3, page 137Monier Monier-Williams (1893), Indian Wisdom, Luzac & Co., London, page 17Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, Patrick Olivelle (2014), The Early Upanishads, Oxford University Press, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, Max Muller (1962), Katha Upanishad, in The Upanishads – Part II, Dover Publications, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, this is a reference to the three major Vedic fire ritualsSanskrit Original: द्वे वाव ब्रह्मणो रूपे मूर्तं चामूर्तं च । अथ यन्मूर्तं तदसत्यम् यदमूर्तं तत्सत्यम् तद्ब्रह्म तज्ज्योतिः यज्ज्योतिः स आदित्यः स वा एष ओमित्येतदात्माभवत् | Hume translates this as "imperishable Brahma", Max Muller translates it as "indestructible Brahman"; see: Max Muller, The Upanishads, Part 2, Charles Johnston, The Mukhya Upanishads: Books of Hidden Wisdom, (1920–1931), The Mukhya Upanishads, Kshetra Books, Paul Deussen, Sixty Upanishads of the Veda, Volume 2, Motilal Banarsidass, Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, Jeaneane D. Fowler (2012), The Bhagavad Gita: A Text and Commentary for Students, Sussex Academic Press, Jeaneane D. Fowler (2012), The Bhagavad Gita: A Text and Commentary for Students, Sussex Academic Press, Guy Beck (1995), Sonic Theology: Hinduism and Sacred Sound, Motilal Banarsidass, Mahinder Gulati (2008), Comparative Religious And Philosophies : Anthropomorphlsm And Divinity, Atlantic, Wazir Singh (1969), Guru Nanak's philosophy, Journal of Religious Studies, Vol. Dans le symbole, l’état de veille est représenté par la courbe du bas, l’état de rêve par la courbe du milieu et l’état de sommeil profond par la courbe du haut. La forme en croissant au-dessus des courbes indique l’Illusion, qui est l’obstacle qui se dresse sur le chemin de l’état de béatitude le plus élevé.
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